Here we have Nika’s review of my work for Food Photo 101 Lesson 2, along with several others that are following along…
I am going to go through Curt’s results as well as those of the other participants, which include:
- Vegan Noodle
- Big Mill BB
Lets start with Curt’s work
In the series of images below you can see his set up and bounces on the bottom row and a series of shots on a tabletop with various permutations of bounce and mirror/foil.
This next series of shots shows, at the bottom, the conditions which Curt liked the most out of the first batch. I have put an orange circle over those.
I think that I would like to see two separate foils aiming on the two different regions that he was aiming at, all in one photo. Also, he could move the background back so that there is not the slightly distracting silhouette in the background. One other nitpicky thing, he could avoid the sharp shadows on the right by buffering or screening his light source on the left.
In this same series we see his on-black shots. Once again, I have put a blue circle over the starting conditions, no bounce. I have put a green circle over the shot that Curt liked the most.
This is a tough subject to light on a black background because it’s black jacket disappears. This likely won’t be the case with foods (how many foods are deep velvet black?) but a rim light (some sharp light from the back) would separate the subject from the black. He found that moving the foil in closer gave him a greater amount of light.
In short it is:
“The intensity (or illuminance or irradiance) of light or other linear waves radiating from a point source (energy per unit of area perpendicular to the source) is inversely proportional to the square of the distance from the source; so an object (of the same size) twice as far away, receives only 1/4 the energy (in the same time period).
Photographers and theatrical lighting professionals use the inverse-square law to determine optimal location of the light source for proper illumination of the subject.” (learn more)
Thus, he was able to gain some intensity by bringing it in closer. When you use lighting, as you move it about, its not a 1:1 ratio between 2 feet away and 4 feet away. At 2 feet you have, say, 1 unit of illumination. When you move it to 4 feet you do not have 0.5 units of illumination, you have 0.25 units.
In the last set, shown below, Curt uses an all white background to further explore light bouncing.
It looks like it gave him more fill on the front right parts of the face and eggs with none of the silhouetting he was getting with the foil and mirror.
I thought that Curt did a tremendous job of going through the various combinations. I cant wait to see how he uses this on food!
Lets move on now to the work submitted by LaRecetteDuJour, our faithful classmate from France!
She too did an excellent job of going through various combinations of bounce and background. We can see a series of her images below.
The upper set is of the subjects on a white background. I have put a blue circle over the photo where no bouncing was done.
I think I would suggest two things: combine the two images in the orange circle and also make the primary light less harsh, perhaps a sheet of thin cotton. We will talk more about those sorts of things later.
Next, she worked on the on-black background. I put a blue circle over the starting conditions. She next used a foil bounce and then varied the exposure to -2 (orange circle).
I think that was a good idea because we were seeing so much detail of the black cloth. It made the background fall away and isolate the subjects but did decrease the brightness of the subject. She could go in with photoshop and selectively lighten up the subjects.
Vegan Noodle, hailing from the sunny land of ground control (AKA Houston, TX), gave us a series of shots of meyer lemons. You can see her discussion on this work at her blog post “Lemon Light” on her blog – walking the vegan line.
I show this series below.
She submitted some photos of this fantastic wine glass that I would ban from our house because the kids would trash it in a second, I just know it!
You can look at the various photos and decide for yourself on your favorite but I am really liking the one that I put an orange circle over. It has great reflections. There is something about the black background that really brings out so many details over the white background.
I think that each of you have done a great job showing how you experimented with the conditions and the bounce. I look forward to seeing what this does for some of the food photos you have in your pipeline. Always feel free to put those photos in the flickr Food Photo 101 group pool!
Since I live up north (like Curt), I lose the light really early and the light all day comes in at an oblique angle (until the summer when it is more perpendicular). The oblique angle makes for some really harsh light.
I had been less than happy with my results with this strobe but with the lack of light I have decided to beat my lighting demons and try to find a set up that works with this light source that I can use any time of day.
Below you can see some eggs. They are lit by the strobe in the upper left corner. I am bouncing with a styrofoam block on the bottom right. I used my tripod and also my Canon 30D. I was working so fast that I didn’t take the time to shoot with my P&S, sorry!
- Food Photo 101-2: Photonic Inspirations
- Food Photo 101-2: Curts Results
- Food Photo 101-2: Harnessing Photons
- FP101-1: Week 1 in review
- Food Photo 101: Photography for Foodies
- Food Photo 101-1
- Food Photography 101: Lesson 1 results
- Curt’s Food Photo 101 page
- My Food Photo 101 page
- Food Photo 101 Class Forum
- Food Photo 101 Glossary
- Food Photo 101 Flickr Group
- Food Photo 101 Newsletters
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